An Indian Morning
Sunday June 4th, 2017 with Dr. Harsha V. Dehejia and Kishore "Kish" Sampat
The first 30 minutes of the program features classical, religious as well as regional and popular music. The second one hour features community announcements and ear pleasing music from old/new & popular Indian films.

An Indian Morning celebrates not only the music of India but equally its various arts and artisans, poets and potters, kings and patriots. The ethos of the program is summarized by its signature closing line, "Seeking the spirit of India, Jai Hind". एक बार फिर हार्दिक अभिनंदन आप सबका, शुक्रिया, घन्यवाद और Thank You इस प्रोग्राम को सुनने के लिए । Movie/Album: विजेता (1983) Music By: अजित वर्मन Lyrics By: वसंत देव Performed By: आशा भोसले, सत्यशील देशपांडे Raag: Ahir Bhairav (Morning Raag) मन आनन्द आनन्द छायो मिट्यो गगन घन अंधकार अँखियन में जब सूरज आयो मन आनंद... उठी किरण की लहर सुनहरी जैसे पावन गंगाजल अर्पण के पल हर सिंगार मधु गीत सिंदूरी गायो मन आनंद आनंद छायो... ऐसी पीड़ रही मन में तो असुवन हाथ बिकानी आँसुओं से भये बिन सूरि रोम रोम मुस्कायो मन आनंद आनंद छायो... मानसरोवर मगन कम्पन नभदर्पन की झांकी ता में अबिकल अधखुल लोचन प्राणहँस उतर आयो मन आनंद आनंद छायो... 01-Man Anand Anand Chhayo CD MISC-201700604 Track#01 5:24 VIJETA-1983; Asha Bhosle, Satyasheel Deshpande; Ajit Varman; Vasant Dev https://www.youtube.com/watch?v=kPc_dyJbs1U दोस्तों "कहकशां" और "महफिले ग़ज़ल" का ऑडियो स्वरुप लेकर हम हाज़िर हैं, "महफिल ए कहकशां" के रूप में । अदब और शायरी की इस महफ़िल में आज पेश है गुलज़ार, राहुल देव बर्मन और आशा भोसले की तिकड़ी के सुरीले संगम से निकला एक नगमा 'दिल पडोसी है' एल्बम से| In an interview with Team Radio Nasha, Asha talked about the 1987 album, her views on changing lifestyle, fusion music and more. “For 3-4 years, I kept asking both to work on the songs for an album together and when they did not, I was irritated and stopped saying anything. Then, while watching a James Bond film at night, there was a scene where James Bond emerges onscreen and a tune plays, RD switched off the TV immediately and began humming a tune. He then worked o a few tunes, talked to Gulzar and began work on the songs,” she said. “As luck would have it, when they began working on the songs, I had to go for some event. When I returned, all the songs were ready,” she added. 02-Saaton Baar Bole Bansi Ek Hi Baar Bole Na CD MISC-20170604 Track#02 5:13 DIL PADOSI HAI-1987; Asha Bhosle; R.D.Burman; Gulzar https://www.youtube.com/watch?v=TSd79hEluI4 Rajasthan High Court judge MC Sharma’s declaration that peacocks are celibate and peahens get pregnant “after swallowing the tears of the peacock” has triggered off a slew of responses. Writers have rounded up hilarious Twitter reactions to the judge’s views, while others have cited ornithological studies to meditate on the sex lives of the peafowl. Popular cinema has never laboured under the misconception that the national bird is a symbol of sexual restraint. The peacock’s mating dance has inspired choreographers down the decades, with various women – and the occasional man – imitating the bird’s head bobbing and twirls. Bakkad Bam Bam from Kathputli (1957) Classically trained actress Vyjayanthimala effortlessly twirls to the Mayilattam and Koothu folk dance form in a peacock costume in Kathputli, which traces the relationship between a dancer and her controlling mentor. Shankar Jaikishan’s music and the elaborate dance sequences are among the film’s highlights alongside Vyjayanthimala’s unmatched grace. 03-Bakkad Bam Bam CD MISC-20170604 Track#03 5:09 KATHPUTLI-1957; Lata Mangeshkar; Shankar-Jaikishan; Hasrat Jaipuri https://www.youtube.com/watch?v=7bOYPsZ9c1M Song lyrics celebrate the union between males and females and the unscientific but utterly romantic connection between the birds and the rains. Comparisons between a restless mind and a whooping peacock are also common. The peacock is a deeply arduous creature, with the ability to inspire humans into following in its joyous footsteps. Mhare Hiwda Mein Naache Mor from Hum Saath Saath Hain (1999) Camels, elephants, beaming couples and one tacky CGI-generated peacock. Sooraj Barjatya’s romantic number from Hum Saath Saath Hain continues the association between Rajasthan and the bird. The peacock inspires love (or lust?) in the minds of the characters. No tears are shed just yet. 04-Mhare Hiwda Mein Naache Mor CD MISC-20170604 Track#04 6:11 HUM SAATH SAATH HAIN-1999; Kavita Krishnamurthy, Hariharan, Kumar Sanu, Alka Yagnik, Udit Narayan, Anuradha Paudwal; Ramlaxman; Kiran R https://www.youtube.com/watch?v=3UuSmbx6Xsg Morni Baaga Ma-Chudiyaan Khanak Gayi from Lamhe (1991) Rajasthan, peacocks, the rain and longing – it’s all there in the superb Shiv-Hari composition Morni Baaga Ma song from Lamhe. The ever graceful Sridevi and folk singer Ila Arun give Anil Kapoor a peek into Rajasthani folk culture in the song, which has been choreographed by the inimitable Saroj Khan. 05-Morni Baaga Maa Bole Aadhi Raat Ma CD MISC-20170604 Track#06 5:58 LAMHE-1991; Illa Arun, Lata Mangeshkar; Shiv-Hari; Anand Bakshi https://www.youtube.com/watch?v=ZEiRDZnStRQ Jungle Mai Sher Bagon Mai Mor from Prem Granth (1996) There goes the peacock arousing the wrong kind of feelings again. Clad in an iridescent blouse and skirt, Madhuri Dixit has unmistakably romantic thoughts about Rishi Kapoor in Prem Granth. 06-Jungle Mai Sher Baagon Mai Mor CD MISC-20170604 Track#06 7:45 PREM GRANTH-1996; Alka Yagnik, Vinod Rathod; Laxmikant-Pyarelal; Anand Bakshi https://www.youtube.com/watch?v=SjRv5qqNHlU अप्रैल माह की अन्तिम फ़िल्म आई ’बाहूबली 2’। 28 अप्रैल को प्रदर्शित इस महत्वाकांक्षी फ़िल्म का संगीत तैयार किया एम. एम. क्रीम ने। "वीरों के वीर आ" एक रोमान्टिक गीत है जिसमें अदिति पॉल और दीपू की आवाज़ों के बीच बीच में परक्युशन का सुन्दर समन्वय है। ’बाहूबली’ का गीत-संगीत आकर्षक है। मनोज मुन्तशिर और एम. एम. क्रीम को थ्री चियर्स! 07-Veeron Ka Veer Aa CD MISC-20170604 Track#07 3:30 BAHUBALI 2 -THE CONCLUSION -2017; Aditi Paul, Dippu; M.M.Kreem; Manoj Muntashir https://www.youtube.com/watch?v=6jgf-bP0hSw THE END समाप्त