I love Malcolm Forsyth's own description of his Quintette for Winds (or)...:
EVERYTHINGE
Ye ever want to know about ESSEX
CONSYSTYNGE
of Four Symphonick Etudes
WHEREIN
Malcolm Forsyth, their author, attempts battell,
with all its attendant hubris,
ON
The Fields of his Two Favouryte musical PROBLEMS,
One of which is Hemiola and the other is NOT,
WHICH
Though not layde to reste, are nevertheless
giveyn a right olde worke-oute.
| Malcolm Forsyth: Quintette for Winds (or)… The Essex Winds: Jean-François Rompré, flute; Geralyn Giovannetti, oboe; Blake Stephenson, clarinet; Anne Marie Monaco, french horn; Leslie Magowan, bassoon - Quintette - Centrediscs/Centredisques 
|
| I. Energetic, Impetuous
II. Hauntingly, Free III. Subdued, Strict Rhythm IV. Light and Flittingly |
| Antonín Dvořák: Slovanské tance, Op. 72 Česká filharmonie; Václav Talich, conductor - Václav Talich Special Edition 1 - Supraphon Václav Talich Special Edition |
| I. Odzemek
II. Starodávný/Dumka III. Skočná IV. Dumka V. Špacírka VI. Kolo VII. Sousedská |
| Gavin Bryars: After Handel’s “Vesper” Christopher D. Lewis, harpsichord (Kevin Fryar, 1997, after Ionnes Ruckers, 1638) - British Music for Harpsichord - Naxos |
| Jean Sibelius: Luonnotar, Op. 70 Phyllis Bryn-Julson, soprano; Orcastra Nàiseanta Rìoghail na h-Alba (Royal Scottish National Orchestra); Sir Alexander Gibson, conductor - Sibelius: Complete Tone Poems. Gibson. Scottish National Orchestra - Chandos |
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