"Anything in our world that moves vibrates air.
If it moves in such a way that it oscillates at more than about 16 times a second this movement is heard as sound.
The world, then, is full of sounds. Listen. Openly attentive to whatever is vibrating, listen. Sit quietly for a moment and receive."
--R. Murray Schafer
| Antonio Vivaldi: Concerto in G Minor, RV 577, “per l’orchestra di Dresda” Virtuosi Saxoniae; Ludwig Güttler, director - Dresden Classics - Berlin Classics Basics |
| I. [without tempo indication]
II. Largo non molto III. Allegro |
| Raymond Murray Schafer: Concerto for harpsichord and eight wind instruments (1954) Vancouver Symphony Orchestra; Mario Bernardi, conductor - Archer, Morawetz, Papineau-Couture, Forsyth, Schafer - CBC Records / Les Disques SRC Perspective 
|
| I. Quickly, in the manner of a Toccata
II. Zur Erinnerung an Paul Klee: very slowly III. Sprightly |
| Clara Wieck Schumann: Piano Concerto in A Minor, Op. 7 Lucy Parham, piano; BBC Concert Orchestra; Barry Wordsworth, conductor - Schumann Piano Concertos. Parham, BBC CO, Wordsworth - Sanctuary Records Resonance |
| I. Allegro Maestoso
II. Romance. Andante non troppo con grazia III. Allegro non troppo |
| And ON DEMAND only: |
| Felix Mendelssohn: Elias, Op. 70 Arleen Auger, soprano; Gabriele Schreckenbach, contralto; Robert Tear, tenor; Siegmund Nimsgern, baritone; Gächinger Kantorei Stuttgart; Radio-Sinfonieorchester Stuttgart; Helmuth Rilling, conductor - Mendelssohn Bartholdy. Elias/Elijah - CBS Records Masterworks Maestro |
| Erster Teil
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