David Dalle
Thursday March 11th, 2021 with David Dalle
Songs for Murdered Sisters: an Ottawa tragedy; a global scourge; a brother's grief.
Carol Culleton, Anastasia Kuzyk, and Nathalie Warmerdam all died on the same day, September 22, 2015. All murdered by the same man, with whom they had all had a previous relationship. A man with a criminal record filled with domestic violence, yet he was able to murder these women. "Before the murders, he had faced more than 30 criminal charges in his life — most of them related to intimate partner violence — and had been convicted of nearly half of them. At the time of the murders, he was on probation and subject to a weapons ban. While one of his victims clipped a panic button to her belt each morning when she dressed, he was under no such surveillance — even with his history of repeatedly breaching probation, ignoring weapons bans and carrying out increasingly violent incidents. After serving one sentence for domestic assault, he flat-out refused to sign an agreement saying he’d stay away from his victim, but walked out of prison just the same." (Maclean's)
Since that day, hundreds more Canadian women have been killed at the hands of a current or former partner, and thousands upon thousands around the world.
Acclaimed Ottawa opera and concert baritone Joshua Hopkins felt the devastation personally that day, as Nathalie Warmerdam was his sister. After this horrifying loss, Hopkins wanted to honour his sister in the only way he knew how, with song. He wanted to tell his sister's story and bring awareness to gender-based violence. He sought out musical collaborators. Composer Jake Heggie, with whom Hopkins had worked before, agreed to write the music. Margaret Atwood wrote the text for the song cycle "Songs for Murdered Sisters". She ended up writing eight poems in a single session, directed both to Hopkins' sister and all the sisters globally afflicted by violence. The premiere recording was just released, sung by Joshua Hopkins, with the composer Jake Heggie on piano. The result is a searing half-hour song cycle for voice and piano which delves deep into grief, anger, and loss.
Songs for Murdered Sisters i. Empty Chair - Enchantment Jake Heggie/Joshua Hopkins, Jake Heggie - Songs for Murdered Sisters - Pentatone |
Songs for Murdered Sisters ii. Anger Jake Heggie/Joshua Hopkins, Jake Heggie - Songs for Murdered Sisters - Pentatone |
Songs for Murdered Sisters iii. Dream Jake Heggie/Joshua Hopkins, Jake Heggie - Songs for Murdered Sisters - Pentatone |
Songs for Murdered Sisters iv. Bird Soul Jake Heggie/Joshua Hopkins, Jake Heggie - Songs for Murdered Sisters - Pentatone |
Songs for Murdered Sisters v. Lost Jake Heggie/Joshua Hopkins, Jake Heggie - Songs for Murdered Sisters - Pentatone |
Songs for Murdered Sisters vi. Rage Jake Heggie/Joshua Hopkins, Jake Heggie - Songs for Murdered Sisters - Pentatone |
Songs for Murdered Sisters vii. Coda - Song Jake Heggie/Joshua Hopkins, Jake Heggie - Songs for Murdered Sisters - Pentatone |
It can be very hard to follow music like this. I believe the early work by Finnish composer Kaija Saariaho "Lichbogen" makes an excellent transition; a slowly evolving work of great calm and mysterious beauty for nine instrumentalists and live electronics. |
Lichtbogen Kaija Saariaho/Avanti! Chamber Orchestra, Hannu Lintu - Graal theatre, Solar, Lichtbogen - Ondine |
The second hour is a dramatic shift in music, starting with Ali Farka Touré's final album released 15 years ago. This past Saturday, March 6th, marked 15 years since the master's death. This superb album was the one I chose to listen to. We will also hear the second recording he made with Toumani Diabaté, and some great music from his son Vieux Farka Touré. |
Banga Ali Farka Toure - Savane - World Circuit/Nonesuch |
N'Jarou Ali Farka Toure - Savane - World Circuit/Nonesuch |
Machengoidi Ali Farka Toure & Toumani Diabate - Ali and Toumani - World Circuit/Nonesuch |
All The Same Vieux Farka Toure - Live At Amarrass Desert Music Festival 2011 - Amarrass Records |
The latest album out on Ostinato Records demonstrates their unique access to the musical archives of Radiodiffusion Television Djibouti, a resource that hitherto had been unavailable. The new recording by the Groupe RTD released in 2020 was the first international release of music from Djibouti. Ostinato Records plan on releasing even more music from Djibouti as this small but vitally positioned country opens up. It is surprising because, as they point out in the album notes, Djibouti has been and continues to be at the centre of global trade since at least Roman times. The majority of global shipping passes just off its shores and it is a vital point of interest and investment for all the world's powers, particularly the US and China. As a result of its location, the music shows a broad range of influences. Central to Djibouti's music scene was the large group 4 Mars (March 4th, a reference to the founding date of Djibouti's sole governing party), their wonderful music shows Somali, Bollywood, Turkish, Egyptian, Chinese, Jamaican, and American influences. Wonderful music new to the world outside of Djibouti! Ostinato Records promises this will be volume 1 of Djibouti Archives, so hopefully many more musical discoveries to come! |
Dhulka Hooyo 4 Mars - (Djibouti Archives Vol. 1) Super Somali Sounds from the Gulf of Tadjoura - Ostinato Records |
Lama Rabeen Karo 4 Mars - (Djibouti Archives Vol. 1) Super Somali Sounds from the Gulf of Tadjoura - Ostinato Records |
Maalkii Runta Ahaa Anigaa Ka Rooree 4 Mars - (Djibouti Archives Vol. 1) Super Somali Sounds from the Gulf of Tadjoura - Ostinato Records |
One of the last heavyweight lead singers of Franco's TPOK Jazz band, Josky Kiambukuta, died last Sunday in Kinshasha. He was one of the frontline vocalists for 14 of the last 16 years of TPOK Jazz's existence. He was also a frequent songwriter for the band. We hear two of his songs, the first "Missile" from 1983 demonstrated Franco's interest in new recording techniques, Josky and Franco share lead vocals with all five backing vocals are Josky's and the song is in a straight 4/4 for its duration, lacking the instrumental "Sebene " section of many of Franco's greatest Soukous tracks, but it was still a big hit mainly because of Josky's vocals. The second song is a more standard Soukous track with the last third given over to a truly glorious Sebene. There is no better way to end a show! |
Missile Franco & TPOK Jazz - Francophonic vol. 2 - Stern's |
Massikini Franco & TPOK Jazz - Franco chante Mamou - Grace Music |