Circus Maximus
Kathryn Patricia Cobbler: Ringing Imitations Kathryn Patricia Cobbler, viola and loop pedal - Ringing Imitations - Modern Classical Records |
Kathryn Patricia Cobbler: Resolute Kathryn Patricia Cobbler, viola and loop pedal - Resolute - Modern Classical Records |
John Corigliano: Symphony No. 3, "Circus Maximus" The University of Texas Wind Ensemble; Jerry Junkin, conductor - Symphony No. 3, "Circus Maximus" / Gazebo Dances - Naxos |
I. Introitus
II. Screen / Siren III. Channel Surfing IV. Night Music I V. Night Music II VI. Circus Maximus VII. Prayer VIII. Coda: Veritas "Circus Maximus is a musical depiction of this decadence, and a shockingly effective one at that. It is at turns brash, monstrous and grotesque, ear-splittingly loud, but also filled with humor and moments of poignancy. It grabs the listener by the throat and holds him there for the entirety of the work." - Jeffrey Williams, New York Concert Review "This was a work that swelled to a deafening roar then faded to a whisper; that encompassed sinuous jazz, martial fanfares, circus music, hunting calls, and more, at times with one type of music interrupting another; that swung dramatically from apocalyptic chaos to pastoral serenity to urban turmoil to farce, each mood pushing or pulling against the next. It was a symphonic portrait of a world of extremes, of fragments competing for primacy, of a barrage of eclectic elements assaulting the senses." - Robert Faires, The Austin Chronicle |