Annie-Claude Deschênes + KAY-Fayb
8:00 PM on Thursday May. 2nd
Club SAW, 67 Nicholas Street
Price: $17.31-$22.63
8:00 PM on Thursday May. 2nd
Club SAW, 67 Nicholas Street
Price: $17.31-$22.63
https://annie-claudedeschenes.bandcamp.com/
Multidisciplinarity is an integral part of Annie-Claude Deschênes’ creative process, who continues her perpetual personal quest of uniting music and performance art by bending the pre-established conventions of stage presence. A key figure on the Montreal independent music scene for almost twenty years, she made her mark as a singer, musician, songwriter, performer and visual artist with Duchess Says and PyPy, two bands that are renowned as much for their electrifying performances as for their artistic sensibility. Her exploratory approach to staging and sound design takes a new direction with the genesis of this solo project: the urgency that characterizes her work remains, but frustration and aggression give way to introspection and vulnerability. Annie-Claude Deschênes explores and reinvents herself under her own name, driven by a constant need to create outside her comfort zone. Inspired by minimal pop and the pioneers of electronic music, Les manières de table, her first solo album due out in spring 2024, is as danceable and melodic as it is disquieting and dystopian, proposing to set the table differently by deconstructing the social codes of politeness imposed on us.
https://www.bonsound.com/en/artist/annie-claude-deschenes/
All ages / licensed event.
KAY-fayb is sound art trio Yolande Laroche, Pierre-Luc Clément and Linsey Wellman - exploring while engaging with the performative limits and/or/without potential of orchestral dissonance, deceptiveness, technologies, mantras and evasive concepts such as obsessions and make beliefs through structured improvised performances. / KAY-fayb est un trio d'art sonore composé de Yolande Laroche, Pierre-Luc Clément et Linsey Wellman - qui explore tout en s'engageant dans les limites performatives et/ou/sans potentiel de la dissonance orchestrale, de la tromperie, des technologies, des mantras et des concepts évasifs tels que les obsessions et les croyances par le biais de performances structurées et improvisées.
Multidisciplinarity is an integral part of Annie-Claude Deschênes’ creative process, who continues her perpetual personal quest of uniting music and performance art by bending the pre-established conventions of stage presence. A key figure on the Montreal independent music scene for almost twenty years, she made her mark as a singer, musician, songwriter, performer and visual artist with Duchess Says and PyPy, two bands that are renowned as much for their electrifying performances as for their artistic sensibility. Her exploratory approach to staging and sound design takes a new direction with the genesis of this solo project: the urgency that characterizes her work remains, but frustration and aggression give way to introspection and vulnerability. Annie-Claude Deschênes explores and reinvents herself under her own name, driven by a constant need to create outside her comfort zone. Inspired by minimal pop and the pioneers of electronic music, Les manières de table, her first solo album due out in spring 2024, is as danceable and melodic as it is disquieting and dystopian, proposing to set the table differently by deconstructing the social codes of politeness imposed on us.
https://www.bonsound.com/en/artist/annie-claude-deschenes/
All ages / licensed event.
KAY-fayb is sound art trio Yolande Laroche, Pierre-Luc Clément and Linsey Wellman - exploring while engaging with the performative limits and/or/without potential of orchestral dissonance, deceptiveness, technologies, mantras and evasive concepts such as obsessions and make beliefs through structured improvised performances. / KAY-fayb est un trio d'art sonore composé de Yolande Laroche, Pierre-Luc Clément et Linsey Wellman - qui explore tout en s'engageant dans les limites performatives et/ou/sans potentiel de la dissonance orchestrale, de la tromperie, des technologies, des mantras et des concepts évasifs tels que les obsessions et les croyances par le biais de performances structurées et improvisées.