Mo Kenney
8:00 PM on Friday Mar. 20th, 2015
National Arts Center - Studio, 53 Elgin Street
Price: Starting At $25
Presented by: NAC More information: tickets

8:00 PM on Friday Mar. 20th, 2015
National Arts Center - Studio, 53 Elgin Street
Price: Starting At $25
Presented by: NAC More information: tickets
In My Dreams is a stunningly accomplished and exciting follow-up to Mo Kenney's 2012 much-decorated and universally-acclaimed self-titled debut. Released on New Scotland Records/Pheromone Recordings on September 30, 2014, In My Dreams showcases an artist who has grown in every facet of her craft - as a singer, songwriter, guitarist and performer.
The album reunites Mo with her key creative collaborator and musical mentor, Joel Plaskett. The East Coast rock icon produced, played on, and co-wrote some of the material on her first record, and the two were clearly on the same page in terms of a sonic mandate for In My Dreams. "I knew it would be more of a production in terms of using a band," says Mo. "I'm playing a lot more with a band live now, so I wasn't afraid to go in that direction and make it less acoustic-based."
Even though there's a full band sound to some of the material on In My Dreams, most of the instrumentation came from Kenney and Plaskett themselves, Mo explains. "Joel did all the drums and bass and he played some of the organ. I did all the electric guitars [Kenney's ability to shred sets her apart from folkier peers] and I played some Wurlitzer and Rhodes."
The Mo Kenney album was recorded in Plaskett's previous more basic space, and Mo loved working in his new facility, New Scotland Yard, in Dartmouth, NS. "He has a super hi-fidelity Neve board now, so the difference in the sound quality in the studio was really noticeable," she says. "It has plenty of analog equipment, and I love the sound of tape."
The album reunites Mo with her key creative collaborator and musical mentor, Joel Plaskett. The East Coast rock icon produced, played on, and co-wrote some of the material on her first record, and the two were clearly on the same page in terms of a sonic mandate for In My Dreams. "I knew it would be more of a production in terms of using a band," says Mo. "I'm playing a lot more with a band live now, so I wasn't afraid to go in that direction and make it less acoustic-based."
Even though there's a full band sound to some of the material on In My Dreams, most of the instrumentation came from Kenney and Plaskett themselves, Mo explains. "Joel did all the drums and bass and he played some of the organ. I did all the electric guitars [Kenney's ability to shred sets her apart from folkier peers] and I played some Wurlitzer and Rhodes."
The Mo Kenney album was recorded in Plaskett's previous more basic space, and Mo loved working in his new facility, New Scotland Yard, in Dartmouth, NS. "He has a super hi-fidelity Neve board now, so the difference in the sound quality in the studio was really noticeable," she says. "It has plenty of analog equipment, and I love the sound of tape."